Taylor Swift, Billie Eilish and the album comeback Taken By https://bbc.com/news/newsbeat-68848506
Taylor Swift, Billie Eilish and the album comeback https://bbc.com/news/newsbeat-68848506
Taylor
Swift, Billie Eilish and the album comeback By Riyah
Collins, BBC
Newsbeat Share Beyoncé released two in one go, Dua Lipa let her
fans have three. Taylor Swift? She kept everything under wraps. The
Tortured Poets Department dropped last week with no singles released in advance
and, next month, Billie Eilish says she'll be doing the same. For years,
commentators have been warning that the album is dead and the single reigns
supreme. That's
partly down to streaming apps like Spotify and Apple Music which let fans pick
and choose their favourite tracks from artists and curate personalised
playlists. But could
two of the world's biggest stars opting to ditch singles breathe life back into
albums? Announcing
Hit Me Hard and Soft, Billie said she wanted her fans to hear the album in one
go. And
in an interview with Rolling Stone,
she explained why. "Every
single time an artist I love puts out a single without the context of the
album, I'm just already prone to hating on it," she said. "I
really don't like when things are out of context. This album is like a family:
I don't want one little kid to be in the middle of the room alone." Even though
he's responsible for the weekly Official Singles Chart, Martin Talbot, the
chief executive of the Official Charts Company, admits he's more of an album
fan himself. "It's
fantastic that Billie Eilish and Taylor Swift are doing what appears to be
something designed to push music fans back to the concept of an album," he
tells BBC Newsbeat. "There
is a danger that music fans lose sight of what an album is and what an album
represents. "The
album represents the kind of apex of the creative vision of a particular
artist. "And
it's really important for the creative health of music and the cultural
environment we preserve that." Fans take
control In the
70-year history of the charts, Martin says collating the top 40 singles has
changed dramatically. It started
with calling around a few record stores each week to ask which singles -
specially selected and released by musicians - were their bestsellers. Now, thanks
to streaming platforms, anything can be a single - and anything can enter the
chart. "The
great thing about the digital environment is that it puts the control in the
hands of the consumer, in the hands of music fans," Martin tells Newsbeat. "Billie
Eilish and Taylor Swift, they may just be releasing albums, but each of those
tracks that make up those albums is available to stream in isolation," he
says. "And
if those tracks get enough streams, they will go into the singles chart,
regardless of whether the artist deems them to be singles or not." That
decision could be a thing of the past for artists as big as Taylor and Billie,
although Taylor did release a music video for one song - Fortnight - on the day
her album dropped. That went
straight to number one, but other tracks that weren't officially promoted,
including Down Bad and the eponymous The Tortured Poets Department, also
debuted in the top five. But for up
and coming talents like Beth McCarthy singles are as important as ever. "Singles
are a massive part of what starts your career," the singer tells Newsbeat. "It
creates a way to release music without the pressure of making a whole body of
work and figuring out an entire sound. "It
lets people get to know you but in short, little bits rather than having to do
the whole big thing." Beth, from
London, will be performing at Radio 1's Big Weekend in May on the Introducing
stage, and hopes to release her first album soon. "I've
been doing singles and EPs because they're a shorter way to create something
that isn't going full pelt into an album," she says.